Wednesday, May 27, 2009
More shots of the 5'10" Thrailkill Twin that I shaped... it's down in Sandy Eggroll, with Josh Hall right now.
This is the Thrailkill Twin / "Destroyer Twin" / BT Arc Fish / Broom Fish / Grouper Fish. It goes like a scorched ape!
I can make it 5'4" 5'6" 5'7" 5'8" 5'9" 5'10" 5'11" 6'0" 6'1" 6'2" 6'3" 6'4" 6'5" 6'6" 6'7" 6'8" 6'9" 6'10" 6'11" 7'0" 7'4" 7'10" 8'0" 8'6" 8'10" 9'0" 9'2".. pretty much just about any length. I just reuse my nose and tail template, and re-bend the rail curve with my wood fare-curve baton, and make a new template.
This board was designed with the help of Bill Thrailkill of the "Surf Systems" fame. What many people don't realize is that Bill is the originator of the "twin fin", the use of the "D" and reverse "D" fin, the "widow-maker", stabilizers, and corner fins. He was riding his "twin-symmetrically-foiled-fin" set-ups 2" off center back at Pipeline before anyone else ever thought about anything but the single fin. He designed big wave boards that looked like large short boards, which could out-surf anything out there. His theory was that you can always slow a board down, but you can't get a slow board to go fast! This board was built for speed. His boards are arguably the fastest in the water, even today. Typically, the tails are 10" - 10.5" and set-up with the "twin" or "widow-maker" set up.
The actual board in the photos is the 5'10" with a 9" square-tail from tip to tip, 21 3/8" wide, and 2 1/2" Thick.
I wanted to take it out on this small crappy beach break day to see how it compares to a traditional fish of the same dimensions. Steve Lis' fish was originally designed for these Southern San Diego summer-like conditions, and my square-back-Thrailkill-twin version proved itself on every wave!
Saturday, May 23, 2009
Well... as of today, I'm officially an EMT!!!!!!!
Wednesday, May 20, 2009
My Skil 190, 5.5A Serial #A-730889 (approx. 55 years old) after Pete Casica's overhaul
Following Josh Hall's advice that my Clark Foam Hitachi planer # CF 4353 was 99% of my problem when I'd run into shaping problems like dips in the rails of one of my longer boards, I decided to sell it (got $250 for it) and invested the money into overhauling my Skil 190 planer circa 1954/1955. This will be my sole planer from here on out.
Note: The knob is from Phil Edwards' own personal planer, from the box of Skil 100 parts he gave to Pete C... so it has some cool history! Terry Martin looked my planer over as well, and commented on what a classic tool it is, and told Pete to find him one! Pete said he's only seen two -- mine, and another one that was in really bad shape.
Here's what I have into my Skil 190, 5.5A
Serial #A-730889 as of today's invoice from Pete C...
$256.09 (price I paid for it on E-bay)
$25.00 (shipping)
$62.00 (what I dropped on the carbide tipped planner blades that I destroyed with my hammer)
$34.00 (NEW ANK HSS Planer Knives to replace the originals and the ones I destroyed with my hammer)
$2.38 (CA sales Tax)
$6.00 (Priority shipping)
$135.00 (Pete C making it like brand new again)
______________________________________
$520.47 (grand Total).....
Not bad for a classic tool that will last longer than I will on this planet.
Here's exactly what Pete did to my planer up in Dana Point and at his Riverside location...
ITEM DESCRIPTION AMOUNT:
1) Bead-blast all housings and cutter drum, paint steel covers (No charge)
2) Disassemble, clean, check mechanical and electrical; Clean motor communtator;
Modify/adjust depth lever for free operation; Resurface and remove sharp edges on
baseplate and shoe; Reassemble, test. ($ 50.00)
3) Install new bearing set (4 bearings) ($ 45.00)
4) Straighten cutter drum and motor shafts. ($ 25.00)
5) Install and align new blade set. ($ 10.00)
6) Remove knob stud and install Skil 100 front knob. ($ 5.00)
SUBTOTAL ($135.00)
TAX .00
SHIPPING & HANDLING .00
TOTAL $ 135.00
-Kawika (David Falkenau)
Artisan Surf Designs: Falkenau Surfboards & Fins
http://www.artisansurfdesigns.blogspot.com
Tuesday, May 5, 2009
If you really want to get a good feel for the musical talent in the midwest, check out these bands.... Leatherheads...and.... The Deal With 44....
I originally wanted to move to California so I could have my shot at trying to bust into the music scene. I had always thought that the music scene was weak where I grew up in the Midwest. What I quickly realized after moving here, was that the quality of musicians I was working with in the Midwest was far superior to the musicians I was working with in California... and I don't mean that in a bad way... I just know that the people I worked with in the Midwest were more seasoned, well practiced, disciplined, and had a deep soul for the music they were playing, and I realized that it's not the musicians in the Midwest that are lacking, it's the small crowd factor and the inconsistent pool of fans that have always kept us behind in the race to the top.
So before you make any kind of assumption or comment about the music scene in the Midwest, remember, Wilco lives and records in Chicago... go buy Yankee Hotel Foxtrot... and watch "I Am Trying To Break Your Heart," a film about Wilco by Sam Jones. Also, keep in mind that Umphrey's McGee started up at Notre Dame, and those guys all started out playing in other outfits, mostly made up of our circle of friends and fellow musicians. furthermore, Chris Robinson from the Black Crowes holds jams in Chicago and often resides there as well.
The bands/musicians that were really good, that stand out in my memory are/were (in no particular order)The Mushroom Head Experience; Umphrey's McGee; Ali Babba's Tahini; Little Frank; Sixteen Tons; X-ray Roger Jimmy; Matt Kovatch (the John Popper of the Midwest); The Deal with 44; Jake Sandock; Aaron "ABE" Sandock; Steve Krojo; Brian Pierce; Steve Pierce; Kieth Paraska; Eric Norris; Derron Hess; Joe Griesenger; Jeff Harrison; Nate Rowe; Dry Rain; The Happy Campers; Kyle Pulk; Chris Lutz; Scott Burkhart; Andy Wincek; Captain Smoothie; John Hicks; Dave Fisher; Jack Wilkinson; Doug Lambert; Aaron Hatton; George Anagnos; The Why Store; Chris Shaffer; Strawberry Larry; Governor Davis; John Mellencamp; Tofer; Jason Michael Thomas; Wilco; Jeff Tweedy; Uncle Tupelo; Jay Bennett; my old drummer "Vinny"; Leatherheads; and gosh, I could go on with this list all day long.
My point is, there is a hub of musicians in the Midwest that need to be placed in the lime light... it's their time to shine!
Here are two of those bands....
So before you make any kind of assumption or comment about the music scene in the Midwest, remember, Wilco lives and records in Chicago... go buy Yankee Hotel Foxtrot... and watch "I Am Trying To Break Your Heart," a film about Wilco by Sam Jones. Also, keep in mind that Umphrey's McGee started up at Notre Dame, and those guys all started out playing in other outfits, mostly made up of our circle of friends and fellow musicians. furthermore, Chris Robinson from the Black Crowes holds jams in Chicago and often resides there as well.
The bands/musicians that were really good, that stand out in my memory are/were (in no particular order)The Mushroom Head Experience; Umphrey's McGee; Ali Babba's Tahini; Little Frank; Sixteen Tons; X-ray Roger Jimmy; Matt Kovatch (the John Popper of the Midwest); The Deal with 44; Jake Sandock; Aaron "ABE" Sandock; Steve Krojo; Brian Pierce; Steve Pierce; Kieth Paraska; Eric Norris; Derron Hess; Joe Griesenger; Jeff Harrison; Nate Rowe; Dry Rain; The Happy Campers; Kyle Pulk; Chris Lutz; Scott Burkhart; Andy Wincek; Captain Smoothie; John Hicks; Dave Fisher; Jack Wilkinson; Doug Lambert; Aaron Hatton; George Anagnos; The Why Store; Chris Shaffer; Strawberry Larry; Governor Davis; John Mellencamp; Tofer; Jason Michael Thomas; Wilco; Jeff Tweedy; Uncle Tupelo; Jay Bennett; my old drummer "Vinny"; Leatherheads; and gosh, I could go on with this list all day long.
My point is, there is a hub of musicians in the Midwest that need to be placed in the lime light... it's their time to shine!
Here are two of those bands....
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